Portfolio

AREA 51, NEVADA, USA

  • Photography Museum, Charleroi, Belgium
    From September 24th 2022 to January 22nd 2023
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  • Zoo Galerie – L’Atelier, Nantes
    Du 1er au 23 décembre 2022
    Vernissage : 1er Décembre

CHURCHILL, POLAR BEAR TOWN

  • DOXS RUHR FESTIVAL
    Du 3 au 20 Novembre 2022 in Bochum, Allemagne
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  • DES COURTS L’APRÈS-MIDI
    Le 5 Novembre à 16h, au Cinéma Le Miroir du Centre de la Vieille Charité, Marseille
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  • CAMERIMAGE
    du 12 au 19 Novembre, à Torun, Pologne 
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  • RIDM
    Les 19 et 22 Novembre, à Montréal, Québec 
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  • TERRITOIRES EN IMAGES
    du 24 au 26 Novembre, à l’Institut de Géographie, à Paris
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  • FESTIVAL DU FILM DE MONTAGNE D’AUTRANS
    du 30 Novembre au 4 Décembre
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  • FESTIVAL INTERNATIONAL DU FILM NATURE & ENVIRONNEMENT
    Le 3 Décembre à 20h, au Cinéma Le Club, à Grenoble
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Annabelle Amoros is a peculiar kind of animal. She works amidst a phantasmagorical "rurality", creates universes as nests, visits other people’s worlds and while in them, stops time and then disappears. Her vision of these chunks of life which are inherently stark, allows her to transform, seemingly without addressing directly, every inhabitant into a main character. We can feel all of her kindness and even her admiration for these small country worlds from which she herself comes from. The sound work is remarkable, she transforms silence into a mental soundtrack that gains all of it’s weight thanks to the illusion of minimalism, which in reality shows the true mark of a perfectionist. Her work immerses you into into a forgotten world of everyday lights and sounds where the race towards “We don’t even know what anymore” is the official religion. Like Bill Viola, Annabelle Amoros plays on a chord that is inherently humane, her maturity and trajectory are indicators of a forthcoming succession of good news.

Cyrille Putman (2014)